![]() Yet, their occurrence without structural abnormalities or other underlying neurological disorders represents a unique observation. Positive visual phenomena, although reported in lesions of visual cortex, are often overlooked in patients with acute neurological conditions. Our attempt of mind-body technique telerehabilitation has shown good results in the improvement of painful symptoms and quality of life for the FM patients but showed fewer positive impacts for the resilience and coping abilities aspects. Resilience and coping ability were less affected by the rehabilitative treatment. The main finding was that telerehabilitation reduced physical and mental distress, fear, and disability ( p < 0.001). The evaluations were performed at T0 (baseline), T1 (after 8 weeks of treatment), and T2 (after 1 month of follow-up). All patients then underwent clinical assessment of the physical distress and fear of movement for the Numeric Rating Scale (NRS) the Fatigue Assessment Scale (FAS) the Fear Avoidance Belief Questionnaire (FABQ) with measures of physical and mental disability for the Fibromyalgia Impact Questionnaire (FIQ) the 12-Items Short Form Survey the Resilience Scale for Adults and the Coping Strategies Questionnaire-Revised. All patients underwent a rehabilitation treatment (8 sessions, 1/week, 1 h/each) through Zoom platform, with the following principles of rehabilitation treatment: Anchoring to a positive emotion listen and perceive your “own” body conscious breathing improve interoceptive awareness relax. The study included twenty-eight female FM patients, mean aged 56.61 ± 8.56 years. Aim of this study was to investigate whether telerehabilitation that provides physical and psychological support services of the mind-body techniques can affect the clinical profile and pain relief of FM patients. Finally, we examine the role of emotion in the various forms of musical synesthesia and possible neuronal well-being.KeywordsMusic synesthesiaEmotionBrainWell-beingįibromyalgia (FM) syndrome is characterized by the close correlation of chronic widespread pain and other non-pain related symptoms. The paper also looks at the three forms of synesthesia related to the debate (metaphoric, constitutional, and pathological) from both historical and contemporary perspectives. As we show, the lively European debate included Italian, French, English, Swiss, and German scientists who were stimulated to study the relationship between color and sound, music and painting, and the creativity associated with synesthetes. This chapter examines the foundations of the nineteenth-century debate, the importance of the cultural aspect of synesthesia, and the subsequent search for a neurological explanation. There was also interest in how the various sensory modalities were able to reveal the distinctive properties of an object and if these experiences could be translated or shared with others. ![]() Similarly, in sixth-century Greece, Pythagoras (570 BC–495 BC) assigned numbers as well as colors to musical notes. For example, the ability to coordinate colors and sounds was well known in the ancient cultures of India and China. Yet, efforts to understand sensory modalities and to pictorially translate musical effects, or vice versa, are very ancient in origin. ![]() Synesthesia gave rise to an important debate in nineteenth-century Europe that was influenced by the Symbolist movement and research into the physiology of perception.
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